Danger Danger - The Return Of The Great Gildersleeves (2000)

This album is in no way connected to the Danger Danger of old. This is a rocking new band with Canada's Paul Laine on vocals. With him comes a new sound and heavier, rawer sound. His vocals are tougher than Ted's which makes the band sound tougher and that's what is  the problem.If this came out between 1987 & 1990 it would have been a massive success and Skid Row would have had some competition.

Cet album n'est en aucun cas lié au Danger Danger d'antan. C'est un nouveau groupe rock avec le Canadien Paul Laine au chant. Avec lui vient un nouveau son et un son plus lourd et plus brut. Sa voix est plus dure que celle de Ted, ce qui rend le groupe plus dur et c'est ce qui pose problème. Si ça sort entre 1987 et 1990 ça aurait été un énorme succès et Skid Row aurait eu de la concurrence.

Tracks :

1. Grind

  2. When She's Good She's Good (When She's Bad She's

  3. Six Million Dollar Man

  4. She's Gone

  5. Dead Drunk & Wasted

  6. Dead Dog

  7. I Do

  8. My Secret

  9. Cherry Cherry

  10. Get In The Ring

  11. Walk It Like Ya Talk It

Line-Up :

Paul Laine - lead vocals, keyboards, rhythm guitar

Bruno Ravel - lead and rhythm guitars, backing vocals, keyboards, bass

Steve West - drums, percussion

Andy Timmons - lead guitar, backing vocals

Tony Bruno - lead guitar, keyboards

Lance Quinn - keyboards

Enjoy Music :

Danger Danger - The Return Of The Great Gildersleeves (LP)

2000

Bangalore Choir - Metaphor (2012)

The musicians of Bangalore Choir have abandoned the heavy US FM sound of yore for a hard rock bluesy trend ("Scandinavian Rose") or country ("Never Face Ole Joe Alone"). The whole is not unpleasant and listen very well chatting around a cold beer. The know-how is real and if we admit that Reece no longer has the voice of yesteryear, her refrains are rather pleasant.

The musicians of Bangalore Choir have abandoned the heavy US FM sound of yore for a hard rock bluesy trend ("Scandinavian Rose") or country ("Never Face Ole Joe Alone"). The whole is not unpleasant and listen very well chatting around a cold beer. The know-how is real and if we admit that Reece no longer has the voice of yesteryear, her refrains are rather pleasant.

Tracks :

1.  All The Damage Done 

2.  Trojan Horses 

3.  Silhouettes On The Shade 

4.  Metaphor 

5.  Don't Act Surprised 

6.  Never Face Ole Joe Alone 

7.  Scandinavian Rose 

8.  Catch An Angel Fallin' 

9.  Civilized Evil 

10.  Fools Gold 

11.  Always Be My Angel

Line-Up :

Bass Guitar – Danny Greenberg

Drums – René Letters

Lead Guitar, Rhythm Guitar – Andy Susemihl, Curt Mitchell

Vocals – David Reece

Bangalore Choir - Metaphor (LP)

2012

Badlands - Voodoo Highway (1991)

Voodoo Highway is the second studio album by the band Badlands. After the first Badlands album, drummer Eric Singer left the band to join Kiss, and was replaced by drummer Jeff Martin, who had previously sung lead vocals in the bands Surgical Steel and Racer X. 

Voodoo Highway est le deuxième album studio du groupe Badlands. Après le premier album de Badlands, le batteur Eric Singer quitte le groupe pour rejoindre Kiss et est remplacé par le batteur Jeff Martin, qui avait déjà chanté dans les groupes Surgical Steel et Racer X.

Tracks :

1.    The Last Time

2.    Show Me the Way

3.    Shine On

4.    Whiskey Dust

5.    Joe's Blues

6.    Soul Stealer

7.    3 Day Funk

8.    Silver Horses

9.    Love Don't Mean a Thing

10.    Voodoo Highway

11.    Fire and Rain

12.    Heavan's Train

13.    In a Dream

Line-Up :

Acoustic Guitar – Jake E. Lee (tracks: 6)

Backing Vocals – Jeff Martin (3) (tracks: 1, 3, 9)

Bass – Greg Chaisson (tracks: 1 to 4, 6 to 12)

Drums – Jeff Martin (3) (tracks: 1 to 4, 6 to 12)

Guitar – Jake E. Lee (tracks: 1 to 4, 6 to 9, 11, 12)

Guitar [Dobro] – Jake E. Lee (tracks: 10, 13)

Organ – Jake E. Lee (tracks: 1, 3, 7, 8)

Piano – Jake E. Lee (tracks: 2, 11)

Tambourine – Jake E. Lee (tracks: 1, 4, 8, 11)

Vocals – Ray Gillen (tracks: 1 to 4, 6 to 13)

Enjoy Music :

Badlands - Voodoo Highway (LP)

1991

42 Decibel ‎- Hard Rock 'N' Roll (2013)

42 Decibel probably gets its name from the lyrics of "Let There Be Rock" screamed by Bon Scott ("there was a 42 decibel rockin 'band"). This group plays us a Hard n 'Roll in the vein of the first two albums of AC / DC. It's played to perfection. The sound of guitars, bass and drums are reproduced identically. The spirit is there too. A little slide comes to slip at times and refers us to these other Australians that are the Rose Tatoo. All compositions are personal, they are not covers.

42 Decibel tire sans doute son nom des paroles de « Let There Be Rock » hurlées par Bon Scott (« there was a 42 decibel rockin’ band »). Ce groupe argentin nous joue un Hard n’ Roll dans la veine des deux premiers albums d’AC/DC. C’est joué à la perfection. Le son des guitares, de la basse et de la batterie sont reproduits à l’identique. L’esprit y est aussi. Un peu de slide vient se glisser par moments et nous renvoie à ces autres Australiens que sont les Rose Tatoo. Toutes les compositions sont personnelles, il ne s’agit pas de reprises. 

Tracks :

1.   Scotch Drinker 6:17

2.   Smokin' Fire 2:57

3.   Long Legged Woman 5:41

4.   The Real Deal 5:00

5.   Take Me 6:53

6.   I'm Gonna Give You All 5:38

7.   Drinkin' Margaritas 5:25

8.   Addicted To Rage 5:09

9.   Born To Ride Alone 3:43

10.   Rocker Soul 4:18

11.   Drunk Love 5:04

12.   Gimme A Drink 3:28

Enjoy Music :

42 Decibel ‎- Hard Rock 'N' Roll (LP)

2013

Black Sheep - Encouraging Words (1975)

Black Sheep is primarily remembered for being the band where vocalist Lou Gramm sang in before joining the successful '80s rock band Foreigner. Gramm had originally been in a band called Poor Heart in the early '70s. However, nothing much came of Poor Heart, and Gramm formed Black Sheep with bassist Bruce Turgon (who would also join Foreigner) and his younger brother Richard, who played guitar. The band scored a record contract with Capitol and released two albums, a self-titled debut (1975) and Encouraging Words (1976).

On se souvient principalement de Black Sheep comme étant le groupe dans lequel le chanteur Lou Gramm a chanté avant de rejoindre le groupe rock des années 80, Foreigner. Gramm avait initialement été dans un groupe appelé Poor Heart au début des années 70. Cependant, rien ne vient de Poor Heart, et Gramm forme Black Sheep avec le bassiste Bruce Turgon (qui rejoindra aussi Foreigner) et son jeune frère Richard, qui joue de la guitare. Le groupe a signé un contrat record avec Capitol et a sorti deux albums, un premier album éponyme (1975) et Encouraging Words (1976).

Tracks :

Side 1

A1 Halfway Home   4:19

A2 Encouraging Words   5:27

A3 To Whom It May Concern   3:51

A4 No Worry, No Pain   4:11

A5 When It All Makes Sense   4:24

Side 2

B1 The Change   5:13

B2 All I Am   3:35

B3 Shauna   3:44

B4 Chain On Me   4:21

Line-Up :

Bass – Bruce Turgon

Drums – Mike Bonafede

Guitar – Donald Mancuso

Keyboards – Larry Crozier

Vocals – Louis Grammatico

Enjoy Music :

Black Sheep - Encouraging Words (LP)

1975

Mistress - New Ground (1974)

After the dissolution of Country Weather in 1972, guitarist Greg Douglas teamed up with Brian Kilcourse and Bill Baron and formed Mistress to produce a sound very similar to the original band. They recorded some songs but were unable to to be published before 1979 ...

Après la dissolution du groupe Country Weather en 1972, le guitariste Greg Douglas a fait équipe avec Brian Kilcourse et Bill Baron et ont formé Mistress pour produire un son très semblable au groupe d'origine. Ils ont alors enregistré quelques chansons mais n'ont pas pu être publié avant 1979...

Tracks :

1.   Going back to Sweden

2.   Fears

3.   Shoot it

4.   New Ground

5.   Bringing it back from Mexico

6.   Prayers

7.   Sizzler

8.   Razor blade blues

9.   Heavy breather

10.   All worth the price you pay

Line-Up :

Drums – Bill Baron, Chuck Burgi

Guitar - Vocals – Greg Douglas

Bass - Vocals – Brian Kilcourse

Little Joe - Little Joe (1982)

This blues rock album is a private Californian printing. It exists a very rare original LP on red vinyl, the black LP is a counterfeit from the 90ties. Charlie Williams is the same singer as on the Mistress album recorded in 1979. Here we have very heavy bluesy rock with a excellent goosebump feel. 

Cet album de blues rock est un pressage Californien privé. Il existe un LP original très rare sur vinyl rouge, le vinyl noir est une contrefaçon des années 90. Charlie Williams est le même chanteur que sur l'album Mistress enregistré en 1979. Ici, nous avons un très gros rock bluesy avec une excellente sensation de chair de poule.

Tracks :

Side 1

A1   Blind Love 

A2   Four Till Late

A3   Crazed And Deranged 

A4   All Worth The Price You Pay 

Side 2

B1   Rooster 

B2   Rollin' And Tumblin'

B3   Dazed And Confused 

B4   Sawed Off 

B5   Love Me Or I'll Kill Ya, Baby

Line-Up :

Bass – Bobby Vega (Pressure, Zero)

Drums, Producer – Greg Elmore (Quicksilver Messenger Service)

Guitar – Greg Douglass (Country Weather, Steve Miller Band, Terry & The Pirates)

Vocals – Charlie Williams (Mistress)

Little Joe - Little Joe (LP)

1982

Sam Parry ‎– If Sadness Could Sing (1972)

Sam Parry was a folk singer. Sadness Could Sing is his sole album. After that, he did contribute some harmonica on a couple of tracks of an album recorded and produced in a small local studio (Solar Sound Studios at Llanrhystud) for Strachan & Griffiths on the SoSo label in around 1984 then nothing else. It was as if, rather than losing interest in playing, he prefered to abandon. The gift peaked in 1972-3, and then gradually deserted him. He moved away from music and by around 1976 – after dabbling with flute and sax for a while but never getting very far – he’d more or less stopped playing.

Sam Parry était un chanteur folk. Sadness Could Sing est son seul album. Il a ensuite contribué à jouer de l'harmonica sur quelques morceaux d'un album enregistré et produit dans un petit studio local (Solar Sound Studios à Llanrhystud) pour Strachan & Griffiths sur le label SoSo vers 1984 puis plus rien. C'était comme si, plutôt que de perdre tout intérêt à jouer, il préférait abandonner. Son talent a culminé en 1972-3, puis l'a progressivement abandonné. Il s'éloigna de la musique et vers 1976 - après avoir joué de la flûte et du saxo pendant un moment sans jamais aller très loin - il a plus ou moins arrêté de jouer.

Tracks :

Side One

1    Ain’t no place like home

2    My farm

3    The Blind Man

4    All I wanted was a walk

5    Fusion

6    Going up the mountain

Side Two

1    The day I met my lord

2    If sadness could sing

3    What’s a gambler to do?

4    Those summer days are over

5    Everybody knows I do

Line-Up :

Sam Parry – vocals, guitar

Brian Daly – 12 and 6-string guitars

Dave Moses – bass guitar

Enjoy Music :

Sam Parry ‎– If Sadness Could Sing (LP)

1972

Bert Keely ‎– Take Me Home (1979)

When the bites of dawn will be felt, when the night has exhausted all his elixir, Bert Keely will return home. Before that, we will have accompanied him in his drift, a happy drift where nothing is negligible or indifferent, where, following the course of thoughts and daydreams, it is a question of watching for the signals and the objective chances. We have listened to these ten songs recorded in unlikely venues in Palo Alto, between rooms and shower stalls. We will have tasted the very special atmosphere of what is stolen from the day and which in itself forms a parallel world. We will have traveled all the night range of this journey carried by loose guitars, a serpentine fuzz, a soft and sensual voice. We have loved these psyche (reverb, phasing), these escapades to jazz horizons.

Quand les morsures de l'aube se feront sentir, quand la nuit aura épuisé tout son elixir, Bert Keely pourra rentrer chez lui. Avant cela, on l'aura accompagné dans sa dérive, une dérive heureuse où rien n'est négligeable ou indifférent, où, suivant le cours des pensées et des rêveries, il s'agit de guetter les signaux et les hasards objectifs. On aura écouté ces dix titres enregistrés dans des lieux improbables de Palo Alto, entre chambres et cabines de douche. On y aura goûté l'atmosphère si particulière de ce qui est dérobé au jour et qui en soi forme un monde parallèle. On aura parcouru toute la gamme nocturne de ce périple porté par des guitares déliées, une fuzz serpentine, une voix souple et sensuelle. On aura aimé ces flammèches psyché (reverb, phasing), ces escapades vers des horizons jazz.

Tracks :

Side 1

A1 Mari's Song

A2 Old Friend

A3 Take Me Home

A4 For Mica

A5 Melissa

Side 2

B1 Gathering

B2 Give And Take

B3 Love Me Tonight

B4 Queen Of My Dreams

B5 Ocean

Line-Up :

Drums – J.E. "Doctor" Fraass

Piano – Larry Good

Vocals, Guitar – Bert Keely

Enjoy Music :

Bert Keely ‎– Take Me Home (LP)

1979

Mike Deasy ‎- Letters To My Head (1973)

Mike Deasy is called the most recorded rock guitarist alive today. Starting in the 1950s, he helped shape and create rock and roll. In the 1960s, Mike recorded with the who's who of California rock and pop artists as part of "The Clique", later referred to as "The Wrecking Crew", the L.A. studios musical elite.

Mike Deasy est appelé le guitariste de rock le plus enregistré vivant aujourd'hui. À partir des années 1950, il a aidé à façonner et à créer du rock and roll. Dans les années 1960, Mike a enregistré avec le who's who des artistes rock et pop de Californie dans le cadre de "The Clique", plus tard dénommé "The Wrecking Crew", l'élite musicale des studios L.A.

Tracks :

1.    Flutterby
2.    Humpty Dumpty
3.    Letters To My Head
4.    I Am I Am I Am
5.    The Peace Song
6.    Stagger Lee
7.     Beauty
8.    If You Pick Her Too Hard
9.    Little Water
10.    All God's Children


Line-Up :

Mike Deasy - vocals, guitar, mandolin, sitar, banjo, bass, alto saxophone, piano
Jim Gordon - drums
John Guerin - drums
Jim Keltner - drums
Leland Sklar - bass
Jerry Scheff - bass
Max Bennett - bas
Mike Melvoin - organ
Larry Knechtel - organ, autoharp
Jim Horn - flute, recorder, saxophone
Jay Dee Maness - pedal steel guitar
Art Munson - guitar
Gary Coleman - percussion
Kathie Deasy - vocals
Chuck Findley - trumpet
Jackie Kelso - saxophone
Ollie Mitchell - trumpet
Paul Hubinon - trumpet
Dick Hyde - trombone
Lew McCreary - trombone
Don Menza - saxophone
Plas Johnson - saxophone
Venetta Fields - vocals
Clydie King - vocals
Annie Herring - vocals
Steve Adler - vocals
Kathryn Ward - vocals
Charles Merriam - vocals
Trish Jons - vocals
Michael Clough - vocals

Enjoy Music :

Mike Deasy ‎- Letters To My Head (LP)
1973

Grin - Gone Crazy (1973)

After touring with Neil Young while still a teenager, singer, songwriter, and guitar hero Nils Lofgren formed the band Grin in 1969 with bassist Bob Gordon and drummer Bob Berberich. Grin rapidly built a fervent audience of its own in the Washington DC/Northern Virginia area based entirely on the band's dynamic performances and Lofgren's six-string tunes.

Après avoir tourné avec Neil Young alors qu'il était encore adolescent, chanteur, compositeur et guitariste, Nils Lofgren a formé le groupe Grin en 1969 avec le bassiste Bob Gordon et le batteur Bob Berberich. Grin s'est rapidement construit une audience fervente dans la région de Washington DC / Northern Virginia, entièrement basée sur les performances dynamiques du groupe et les mélodies à six cordes de Lofgren.

Tracklist : 

01.    You're the Weight

02.    Boy and Girl 

03.    That About Me 

04.    One More Time

05.    True Thrill 

06.    Beggar's Day (Eulogy to Danny Whitten) 

07.    Nightmare 

08.    Believe 

09.    Ain't for Free 

Line-Up:

Nils Lofgren - Guitars, Keyboards, Lead Vocals

Bob Berberich - Drums, Lead Vocals

Bob Gordon - Bass, Background Vocals

Tom Lofgren - Guitars, Background Vocals

Grin - Gone Crazy (LP)

1973

Wild Savages - Stagefright (2018)

Wild Savages's second album, Stagefright. Hear ye, hear ye! Do you remember the days before the smoking ban when you'd leave a concert smelling of stale cigarettes and cheap beer, and the stench would permeate your rusted-out car on the late-night ride home, lingering in your nose the next morning? In other words, that's all Stagefright and it's totally great.

Le deuxième album de Wild Savages, Stagefright. Écoutez, écoutez! Vous souvenez-vous des jours précédant l'interdiction de fumer quand vous avez quitté un concert sentant les cigarettes viciées et la bière pas chère, et la puanteur imprègnerait votre voiture rouillée en rentrant tard dans la nuit, restant dans votre nez le lendemain matin? En d'autres termes, c'est tout Stagefright et c'est vraiment génial.

Tracks :

1.    Stagefright
2.    Acid Queen
3.    Golem
4.    Queen Bee
5.    Magnolia
6.    Lord of the Abyss
7.    Could Be You
8.    Spanish Moss

Line-Up :

Joe Kupiec- Vocals, Bass, Fuzz
Casey Dangerous O'Ryan- Guitars, Vocals, Face-melting
Stefan Krstovic- Drums, Good-looks

Enjoy Music :

Wild Savages - Stagefright (LP)
2018

Swamp Moth - Swamp Moth (2018)

Swamp Moth rises from the murky mists and revives hard rock's long forgotten masters of the unholy Riff. Five of Melbourne's finest purveyors of swagger and groove dig deep to find the best of the rest of late 60's and early 70's psych and hard rock.

Swamp Moth se lève des brumes ténébreuses et fait revivre les maîtres oubliés depuis longtemps du riff impie. Cinq des meilleurs pourvoyeurs de cornemuse et de groove de Melbourne creusent profondément pour trouver le meilleur du reste du psyche et du hard rock de la fin des années 60 et du début des années 70.

Tracks :

1.    Brother 

2.    Apocalypse

3.    BRTCD

4.    Down The Road I Go

5.    Evil 

Line-Up :

Myles Barlow – drums 

Tom Hoskins – vocals 

Chris Mildren – keys, guitar, vocals 

Dave Oxley - bass 

Jon Shannon – guitars, vocals 

Enjoy Music :

Swamp Moth - Swamp Moth (LP)

2018

Chris Braun Band - Both Sides (1972)

Chris Braun Band are a rock group based in Dortmund, Nordrhein-Westfalen, Germany who disappeared from the scene after 2 album releases. In 1972 "Both Sides" featured Bill Bakine on drums, percussion, Jochen Bernstein on bass, Chris Braun on lead vocals, Elmar Krohn on guitars, flute, percussion, vocals, and Horst Schreiber on guitars, percussion, and vocals. In 1973 the heavy rock, jazz and psych album "Foreign Lady" featured again Chris Braun on vocals, joined by Bernstein's bass, Krohn's drums, and newcomers to the group Bernd Adamkewitz on guitar, and saxophone, and Klaus Melchers on piano, moog, and mellotron. The guest musicians on the album include Linda Fields on backing vocals, choir, Peter Hast on percussion and Jiggs Wigham on trombone.

Chris Braun Band est un groupe de rock basé à Dortmund, Nordrhein-Westfalen, Allemagne qui a disparu de la scène après 2 sorties d'albums. En 1972, "Both Sides" mettait en vedette Bill Bakine à la batterie, Jochen Bernstein à la basse, Chris Braun au chant, Elmar Krohn aux guitares, flûte, percussions, chant et Horst Schreiber aux guitares, percussions et chant. En 1973, le heavy rock, le jazz et l'album psychique "Foreign Lady" reprennent Chris Braun au chant, rejoints par la basse de Bernstein, la batterie de Krohn, et les nouveaux venus au groupe Bernd Adamkewitz à la guitare, au saxophone et Klaus Melchers au piano, moog, et mellotron. Les musiciens invités de l'album incluent Linda Fields aux choeurs, chorale, Peter Hast aux percussions et Jiggs Wigham au trombone.

Tracks :

01.    Town Of Children's Blocks

02.    Comfort Me In Hell

03.    Untrue World

04.    Magical Light

05.    Anxiety 

06.    Paul

07.    Icy Shapes 

08.    Things For You And Me 

09.    April Fool 

Enjoy Music :

Chris Braun Band - Both Sides (LP)

1972

Magic Bus - Phillip the Egg (2017)

With Magic Bus, we dive into the delights of the progressive seventies.

Their music, inspired by Camel, Yes, Gong, Genesis or Caravan, explores the Canterbury with cinematic and oriental touches. The album, mainly instrumental, comes in eight delicate and fresh pieces of which the longest, 'Mystical Mountain', is close to nine minutes. Languorous flute, vintage keyboards, haunting bass, light guitars and jumping drums write this music of another age that keeps its freshness for anyone who knows how to take the time to listen.

Avec Magic Bus, nous plongeons dans les délices du rétro progressif seventies. 

Leur musique, inspirée de Camel, Yes, Gong, Genesis ou Caravan, explore le Canterbury avec des touches cinématiques et orientales. L’album, principalement instrumental, se décline en huit morceaux délicats et frais dont le plus long, ‘Mystical Mountain’, avoisine les neuf minutes. Flûte langoureuse, claviers vintages, basse obsédante, guitares légères et batterie sautillante écrivent cette musique d’un autre âge qui garde aujourd’hui toute sa fraîcheur pour qui sait prendre le temps d’écouter.

Tracks :

1.   Mystical Mountain (i) Twelve kings 

2.   Fading Light 

3.   Trail to Canaa 

4.   Zeta 

5.   Distant Future 

6.   Kepler 22b 

7.   Kalamazoo 

8.   Yantra Tunnels 

Line-Up :

Bass – Wihll Mellorz

Drums – Connor Spring

Flute, Percussion, Backing Vocals – Viv Goodwin-Darke

Keyboards, Backing Vocals – Jay Darlington

Lead Guitar, Guitar, Backing Vocals – Terence Waldstadt

Vocals, Guitar – Paul Evans

Enjoy Music :

Magic Bus - Phillip the Egg (LP)

2017

Kula Shaker - K2.0 (2016)

In 1996, Kula Shaker were one of the biggest bands in Britain, as their speedy-selling debut album, K, stormed to No 1 with a blend of 60s rocking, Britpop, Arthurian legend and Indian mysticism. Two decades on, their fifth album doesn’t journey too far from the sound of old hits such as Tattva and Govinda: it starts with a flourish of sitars, and finds frontman Crispian Mills roaring “We are one, the infinite sun”. The blond-locked frontman hasn’t lost his gift for tunes.

En 1996, Kula Shaker est l'un des groupes les plus importants de Grande-Bretagne. Son premier album, K, est rapidement sorti avec un mélange de rock, de Britpop, de légende arthurienne et de mysticisme indien. Deux décennies plus tard, leur cinquième album ne s'éloigne pas trop du son de vieux succès tels que Tattva et Govinda: il commence par une floraison de sitars, et trouve le chanteur Crispian Mills rugissant "We are one, the infinite sun". Le chanteur aux cheveux blonds n'a pas perdu son don pour les mélodies.

Tracks :

1. Infinite Sun 4:38

2. Holy Flame 3:36

3. Death of Democracy 2:55

4. Let Love Be (with U) 3:36

5. Here Come My Demons 6:19

6. 33 Crows 3:05

7. Oh Mary 3:55

8. High Noon 3:14

9. Hari Bol (The Sweetest Sweet) 2:00

10. Get Right Get Ready 3:56

11. Mountain Lifter 4:55

12. 2Styx 3:48

Line-Up :

Crispian Mills: Lead Vocals, Guitars

Alonza Bevan: Bass, Backing Vocals

Harry Broadbent: Keyboards

Paul Winter Hart: Drums

Olivier Leclercqz: Sitar

Stephanié Gilly: Trumpet, French Horn

Jean-Noël Bastin: Trombone

Audrey Evans: Backing Vocals

Enjoy Music :

Kula Shaker - K2.0 (LP)

2016

Taddy Porter - Taddy Porter (2010)

Taddy Porter is simply a Rock band - one that knows how to live in a groove, emote feeling, and draw in all those that encounter their passion. The quartet's roots have their foundation in Stillwater, Oklahoma, with branches that have begun to stretch throughout mid-America and the South. Since October 2007, Andy Brewer (lead vocals / guitar), Joe Selby (lead guitar / backing vocals), Doug Jones (drums) and Kevin Jones (bass) have been collaborating to create timeless, undeniable Rock songs that have found fans in markets across the country.

Taddy Porter est tout simplement un groupe de rock qui sait vivre dans le groove, émouvoir et attirer tous ceux qui rencontrent leur passion. Les racines du quatuor ont leurs racines à Stillwater, Oklahoma, avec des branches qui ont commencé à s'étendre à travers la mi-Amérique et le Sud. Depuis octobre 2007, Andy Brewer (chant / guitare), Joe Selby (guitare solo / choeur), Doug Jones (batterie) et Kevin Jones (basse) collaborent pour créer des chansons rock intemporelles et indéniables qui ont trouvé des fans sur les marchés. à travers le pays.

Tracks :

1. Whatever Haunts You

2. Big Enough

3. Shake Me

4. Gotta Getcha Back

5. Long Slow Drag

6. I Gotta Love

7. Mean Bitch

8. Bringin' Me Down

9. In The Morning

10. Fire In The Streets

11. Railroad Queen

12. King Louie

Enjoy Music :

Taddy Porter - Taddy Porter (LP)

2010

Diamond Reo - Dirty Diamonds (1976)

"Dirty Diamonds" is the second album of the crazy Americans of Diamond Reo! This 70's quartet in the soul is neither more nor less than one of the precursors of the AOR as we know it afterwards. On the menu, Hard Rock Hard, which will delight the fans of Aerosmith, Kiss, Starz and Montrose!

 "Dirty Diamonds" est le second album des Américains un brin déjantés de Diamond Reo ! Ce quatuor bien 70's dans l'âme n'est ni plus ni moins que l'un des précurseurs de l'AOR tel qu'on la connu par la suite. Au menu donc, du Hard Rock bien heavy, qui fera le bonheur des fans d'Aerosmith, Kiss, Starz et Montrose !

Tracks :

Side 1

A1 All Over You 3:55

A2 It Ain't What You Do It's What You Do 3:20

A3 Scratch My Back 4:28

A4 Mamma Let Your Love 4:25

A5 It's A Jungle Out There 3:11

Side 2

B1 Lover Boy 3:47

B2 Power 4:37

B3 Bad News 3:32

B4 Boys Will Be Boys 3:50

B5 Helter Skelter 3:33

Line-Up :

Bass – Norm Nardini

Drums – Robert Johns

Guitar – Warren King

Vocals, keyboards - Frank Zuri 

Enjoy Music :

Diamond Reo - Dirty Diamonds (LP)

Flash & The Pan - Flash & The Pan (1978)

Flash and the Pan is an Australian band founded in the late 1970s by two former Easybeats members: Harry Vanda and George Young. The latter, being the elder brother of Angus and Malcolm Young (AC / DC group), produced some of their albums.

Flash and the Pan est un groupe de musique australien fondé à la fin des années 1970 par les deux ex-membres de la Easybeats : Harry Vanda et George Young. Ce dernier, étant le frère ainé d'Angus et de Malcolm Young (du groupe AC/DC), a produit certains de leurs albums.

Tracks : 

Side 1

A1 Hey, St. Peter 4:20

A2 Man In The Middle 3:12

A3 Walking In The Rain 3:27

A4 The African Shuffle 4:25

A5 California 4:16

Side 2

B1 Lady Killer 4:08

B2 The Man Who Knew The Answer 4:23

B3 Hole In The Middle 4:15

B4 Down Among The Dead Men 4:45

B5 First And Last   6:34

Line-Up :

Bass – Les Karski

Drums – Ray Arnott

Guitar, Vocals – Harry Vanda

Piano – Warren Morgan

Producer – Harry Vanda And George Young

Synthesizer, Lead Vocals – George Young

Written-By – Vanda / Young

Enjoy Music :

Flash & The Pan - Flash & The Pan (LP)

1978

Sniff 'n' the Tears - Fickle Heart (1978)

The British band Sniff 'n' the Tears' 1978 debut, Fickle Heart, is best known for containing the relentlessly catchy rocker "Driver's Seat," which became a hit in 1979 and is simply one of the greatest "one-hit wonder" singles of that decade, and arguably of all time.

Fickle Heart, le premier album du groupe anglais Sniff 'n' the Tears, sorti en 1978, est surtout connu pour son titre rock déchainé "Driver's Seat", devenu en 1979 l'un des plus grands singles de cette décennie, et sans doute de tous les temps.

Tracks :

Side 1 

A1 Driver's Seat

A2 New Lines On Love

A3 Carve Your Name On My Door

A4 This Side Of The Blue Horizon

A5 Sing

A6 Rock 'N' Roll Music

Side 2

B1 Fight For Love

B2 The Thrill Of It All

B3 Slide Away

B4 Last Dance

B5 Looking For You

Line-Up :

Backing Vocals – Jim Nellis, Noel McCalla

Bass Guitar – Chris Birkin

Bass – Ron Lawrence

Drums, Percussion, Producer – Luigi Salvoni

Guitar – Loz Netto, Mick Dyche

Keyboards – Alan Feldman

Synthesizer, Strings – Keith Miller

Enjoy Music :

Sniff 'n' the Tears - Fickle Heart (LP)

1978

Twenty Sixty Six and Then - Reflections on the Future (1972)

 released a single disc in 1972 among those who became the rarest of German rock. Their album "Reflection on the future" was recorded in the fall of 1971 and is adorned with a beautiful opening pouch inspired by Arcimboldo's works.

Twenty Sixty Six & Then a publié un unique disque en 1972 parmi ceux devenus les plus rares du rock allemand. Leur album "Reflection on the future" fut enregistré à l'automne 1971 et s'orne d'une belle pochette ouvrante inspirée des œuvres d'Arcimboldo.

Tracks :

Side 1

A1 At My Home   5:02

A2 Autumn   9:05

A3 Butterking   7:20

Side 2

B1 Reflections Of The Future   15:47

B2 How Would You Feel   3:22

Line-Up :

Bass Guitar – Dieter Bauer

Drums – Konstantin Bommarius

Electric Guitar, Acoustic Guitar, Vocals – Gagey Mrozeck

Lead Vocals – Geff Harrison

Organ, Electric Piano, Piano, Mellotron, Percussion, Vocals – Veit Marvos

Organ, Electric Piano, Vibe], Synthesizer, Mellotron, Vocals – Steve Robinson

Enjoy Music :

Twenty Sixty Six and Then - Reflections on the Future (LP)

1972

Bloodrock - Bloodrock 3 (1971)

Bloodrock was a band that managed to leave behind six very remarkable albums,  in a period of only six years. Their sound was sufficiently heavy and rough for their era but despite the good quality they never made it big. They opened a few shows of Black Sabbath in the U.S.A. and participated in some major festivals.

Bloodrock était un groupe qui a réussi à laisser derrière lui six albums remarquables, en seulement six ans. Leur son était suffisamment lourd et rude pour leur époque mais malgré la qualité, ils ne l'ont jamais rendu exceptionnel. Ils ont ouvert quelques shows de Black Sabbath aux États-Unis et participé à de grands festivals.

Tracks :

Side 1

A1 Jessica 4:40

A2 Whiskey Vengeance 4:12

A3 Song For A Brother 5:15

A4 You Gotta Roll 5:05

Side 2

B1 Breach Of Lease 9:05

B2 Kool-Aid-Kids 6:12

B3 A Certain Kind 4:12

B4 America, America 1:20

Line Up :

Bass, Vocals – Ed Grundy

Drums, Vocals – Rick Cobb

Guitar – Lee Pickens

Rhythm Guitar, Vocals – Nick Taylor

Keyboards, Vocals – Steve Hill

Lead Vocals – Jim Rutledge

Enjoy Music :

Bloodrock - Bloodrock 3 (LP)

1971